Les artistes refont le monde
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L'auteur

L'auteur : Zoé Cosson

Biographie

En 2012, Zoé Cosson intègre l’Ecole Supérieur d’art et de design de Reims où elle développe une pratique hybride à l’intersection de la vidéo expérimentale, du documentaire et de l’écriture. Le plus souvent lié à des espaces circonscrits, son travail explore les attitudes induites par l’environnement, et en miroir, les mouvements susceptibles de le façonner. Après l’obtention d’un DNSEP en 2018, sa vidéo Salle d’attente est exposée au vidéo-club du FRAC Champagne-Ardennes. La même année, elle intègre le Master de Création Littéraire du Havre où elle travaille à l’élaboration d’un roman de non fiction nourri d’archives iconographiques, de souvenirs et d’interviews récoltés in situ dans un village ariégeois. La porte de montagne, un extrait de ce texte, est publié dans la revue Artichaut en 2019. Parallèlement, elle continue de collaborer avec de jeunes artistes, notamment avec First Laid qui édite actuellement le récit de sa rencontre avec les astrophysiciens du Paris Centre for Cosmological Physics dans le cadre de l’exposition Ce qui ne tourne pas, tombe.

Contributions
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Autour du texte
Chronique par Zoé Cosson
17 octobre 2019

Monsanto, Une enquête photographique

Chronique par Zoé Cosson

Plus de deux cent noms recensés. Les noms de personnalités politiques, de journalistes et de scientifiques ont été rangés dans des tableaux détaillant leurs positions sur le glyphosate, les pesticides ou encore les OGM (organismes génétiquement modifiés). Révélés au début du mois de mai, ces documents datant de 2016 qui constituent le «fichier Monsanto » viennent de provoquer un nouveau scandale impliquant le géant de l’industrie agro-alimentaire. Alors que des citoyens du monde entier se sont rassemblés le 18 mai dernier pour la septième marche contre les multinationales de l’agrochimie, l’enquête photographique de l’artiste franco-vénézuélien Mathieu Asselin sur Monsanto paraît plus pertinente que jamais.

Lire aussi...

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